Editor’s Note: Zonisphere Media Group, home of the e-zine, Zubterrain, where my weekly music column, Urb’l (Urban Cool) Remedy, lived, continues to undergo a site overhaul, indefinitely. So, my column is currently halted. I finished out my June posts here at THE REAL popolio.
My articles normally went live on Tuesdays. I thought I was done for the meantime, but I have a few outstanding. Since this was in flux and submitted by the artist, I think it deserves to see the light of day. This is the last pending LOTTO Interview. I would have posted this on Tuesday, but there’s been a lot going on in September and I’ve gotten a little behind. See the other LOTTO Interview that was pending featuring the ATX’s SALVO here.
That said, I normally had a Cause of the Month interview that kicked things off the first week of each month. Since, I’m not writing the column for the the whole month, I’m just going to choose what would be my COM and link it here. I choose the Texas Council on Family Violence as the September 2011 Cause of the Month. Click on the link to find out more about the organization and enjoy the interview.
The question reads, “Play it Forward: Make a case for an up-and-coming indie artist or act that you’re really into and that you feel more people should be into. Who is it and why should we be into them, too?” Fifth Nation played her forward.
The idea is simple. I have a list of questions that are a mixed bag of musical, fun, serious, and silly. Alison Clancy chose ten numbers from 1 through 50 without getting to see the questions. The questions she answered for this interview are the questions that corresponded with the numbers that were chosen. The list is currently holding steady at 100.
Alison Clancy started as a modern dancer and brings that sensibility to her musical expression. Especially her videos. Watch the official video for “Lovin You” by HUFF THIS! Read Alison’s LOTTO Interview below.
UR: Why did you get into music?
AC: Because it feeeeeeeeeeeeels GOOD!
UR: Greatest movie of all-time?
AC: I probably haven’t seen it. Or it hasn’t been made, yet.
UR: What’s your guiltiest pleasure?
AC: Guilt is never pleasurable.
UR: Tell me a secret.
AC: Don’t have many. I’m a pretty open book. Maybe too open. I was kind of in a cult for a while, but that’s not even a secret. I like crazy people and freaks and sometimes I can follow their logic a little too long even when it doesn’t make any sense. Or I let people into my life who maybe I shouldn’t trust so quickly.
UR: What do you hate about the music industry?
AC: In the music industry there is always the slight chance of a song, person, or band garnering money/fame and sometimes this makes people unnecessarily possessive/jealous/competitive. For me, the point of playing music is expression/community/catharsis. Having come from the dance world, where no one is ever expecting fame or glory, it’s all about process and the discipline of training. This was a very foreign and frustrating dynamic for me at first, but now that I understand it I think I’m getting better at dealing with it.
UR: If someone were to play you in a movie of your life, who would it be and why?
AC: I would play me because I’m awesome at being me.
UR: What would the soundtrack to the story of your life sound like?
AC: Grass growing, airplanes crashing, lots of classical ballet music, sexy R&B, and Zach Hill bloodying himself on a drum set.
UR: Does Ghost still make you cry like it does me?
AC: Hmmm. Haven’t seen it in ages. Would probably depend on the context of my life at the moment.
UR: You can get a song remixed in another genre, which of your songs would you remix and in what style?
AC: I would get the HUFF THIS! Song, “My Love,” remixed as a dubstep dance anthem. The cello/synth dance duo, Electric Pussy, might do this. If so, it will be SICK!
UR: Favorite part of your body?
AC: Whatever part is being touched by my lover.